News

"I always look forward to seeing the paintings brought by Berry Campbell, which represents the estates of historical female artists. I am inspired by Alice Baber, who organized exhibitions of women artists, Including Color Forum fo 1972 at the University of Texas in Austin." - Catalina Gonzalez Jorba (Collector and Founder of Dondolo)

Esperanza and Irwin welcome artist Mike Solomon. Mike had an extraordinary childhood, growing up as the son of Syd and Annie Solomon. Syd was part of the Ab-Ex movement, and while he was a painter of great renown, the salons Annie hosted in her home were legendary. Mike, who is an important painter in his own right, shares the stories of what went on in the East Hampton in 1960's and 70's East Hampton.

LISTEN HERE: https://ourhamptonspodcast.com/

Eric Dever, Moorland, 2020, oil on canvas, 30 x36 in, The Heckscher Museum of Art

The Heckscher Museum of Art
THE RAINS ARE CHANGING FAST: NEW ACQUISITIONS IN CONTEXT

March 23, 2024 - September 1, 2024

The Rains are Changing Fast highlights artwork recently acquired by The Heckscher Museum of Art alongside a selection of key works long held in the Museum’s collection. For over a century, the Heckscher has been collecting and presenting art that explores the landscapes and social issues of its place and time. This exhibition, which takes its title from a 2021 video by Christine Sciulli, features new and beloved works of art that together reveal the diverse ways in which artists contend with environmental and cultural change. Created over a span of 175 years by 39 artists, the works are united by shared engagements with landscape, allegory, and abstraction. Some, like Richard Mayhew’s Pescadero (2014) or George Inness’s The Pasture, Durham, Connecticut (c. 1879), present luminous, if precarious, visions of the American landscape. Others, including Deborah Buck’s They Had Stars in Their Eyes (2020) and Dorothy Dehner’s Landscape (1976), employ modes of abstraction that speak to issues of gender and materiality. The resulting visual conversations emphasize the Museum’s ongoing commitment to social concerns, environmental issues, and Long Island’s diverse communities.

Turner Contemporary
Beyond Form: Lines of Abstraction, 1950 - 1970

Saturday 3 February – Monday 6 May 2024
Guest curated by Dr Flavia Frigeri.

This spring, Turner Contemporary will present Beyond Form: Lines of Abstraction, 1950 – 1970, a group exhibition presenting abstraction as a radical global language shared by women artists in the twenty years following World War II. Guest curated by Dr Flavia Frigeri, the exhibition will bring together the works of more than 50 artists to examine how, through abstract forms, materials and modes, women pushed the boundaries of artmaking while tackling seismic cultural, social and political shifts. Comprising over 80 artworks, predominantly sculpture, the exhibition will trace how the language of abstraction developed on a global scale.

Beyond Form will re-evaluate how art, gender and the act of making intersected in the post-WWII period, when men often eclipsed women’s artistic contributions. It will highlight the pioneering efforts of women artists in the development of abstraction, asserting their vital role in the discourse of the times.

In the 1950s and 1960s, women actively resisted the pressure to return to domestic roles, instead capitalising on their substantial wartime work experiences. By embracing abstraction, these artists leveraged a form of expression that resonated with the era’s proto-feminist sentiments. Through employing techniques like hanging, stacking and weaving they subverted established art-craft hierarchies and challenged entrenched gender norms. Their innovative use of sculptural materials allowed them to investigate critical social topics and explore themes concerning the human form, political discourse and more. 

Looking beyond the Western canon, Beyond Form will present abstraction as a constellation of interconnected stories. It will celebrate artists from Asia, Latin America, the Middle East and Eastern Europe, positioning them as central figures in the history of abstraction and will bring to light many works that have previously gone unseen.

BEYOND THE HORIZON:
INTERPRETATIONS OF THE LANDSCAPE FROM WOMEN IN THE PERMANENT COLLECTION

Spanning mural-sized representational oil paintings, expressionistic watercolors and pastel drawings, and intimate mixed-media abstractions, Beyond the Horizon will take viewers on a journey through visual styles and thematic experiences of the landscape. Featured women artists from the permanent collection capture the essence and tone of the environment through their own unique visual language.

Large-scale works by Renate Aller, April Gornik, and Jane Wilson will demonstrate how these women artists masterfully composed mural-sized works, countering the common association of large-scale with the masculine. A selection of paintings by Jennifer Bartlett, Nell Blaine, Edith Prellwitz, Susan Vecsey, and Jane Wilson expand techniques to include expressionistic mark-making and atmospheric washes of color across meadows, forests, and mountain ranges. Collages, relief works, and textured surfaces by Darlene Charneco, Sandi Haber Fifield, Laurie Lambrecht, and Michelle Stuart will celebrate abstraction and conceptual interpretations of the land and nature. Throughout the galleries, visitors will be immersed in the landscape and experience how each artist transforms their view of the natural world.

Nanette Carter, Untitled, 1989, multicolored woodcut on Arches Paper, 48 x 35 in.

The Church Examines Nuanced Art of Printmaking in Sag Harbor

BY Oliver Peterson

Open through February 25 at The Church in Sag Harbor, Master Impressions: Artists and Printers on the South Fork (1965 – 2010) is a sort of master class in demonstrating how the art of printmaking is far more complex, interesting and creative than simply duplicating an existing image on paper. The exhibition not only pays close attention to the 26 featured artists who have spent time working on the South Fork, it recognizes the role of the printers who helped bring their creations to fruition and the techniques used to do it.

Each print in the show was selected by The Church Workshop and Residency Manager Samuel Havens, who is a printmaker in his own right, along with Chief Curator Sara Cochran, who says the younger staff member has experience working with a number of printers and he teaches the craft to others. - continue reading