News

Susan Vecsey featured in the June 2014 issue of Architectural Digest on page 169.  Designs by Carrier and Company (Jesse Carrier and Mara Miller).

Susan Vecsey show opens at Berry Campbell Gallery on June 5, 2014.

Link to photographs and article:

http://www.architecturaldigest.com/decor/2014-06/carrier-and-co-southampton-new-york-retreat-slideshow_slideshow_Guest-Room_5

Ordinarily, as she will tell you, Janet Goleas, the curator of the exhibition “Redacted” at the Islip Art Museum, is not much of a political animal.

But around the time WikiLeaks and its founder, Julian Assange, burst into the news a few years ago, “I started thinking of government documents, and eventually of redacted documents,” Ms. Goleas said recently. “It seemed I started seeing them everywhere,” as stories about classified material kept cropping up.

An artist and blogger as well as a curator, she began pondering the many meanings and functions of concealment and redaction, which by one perhaps antiquated definition simply means adapting or editing for publication....

Another artist, Eric Dever, of Water Mill, is showing a series of eight paintings whose color he has limited to variations on red, white and black — in effect, editing out all other colors in his exercise in artistic redaction.

NEW YORK, NY.- Berry Campbell announces Masters of Expressionism in Postwar America, an exhibition featuring paintings by sixteen artists, working in the modes of Abstract Expressionism and Color Field Painting, whose careers developed in the dynamic and freeing milieu of American art after World War II. The exhibition gives recognition to the heightened interest today in this art for its strength and transcendence. 

More Information: http://artdaily.com/news/69904/Berry-Campbell-Gallery-features-masters-of-expressionism-in-Postwar-America#.U2kC-V531g1[/url]
Copyright © artdaily.org

Berry Campbell is pleased to announce Masters of Expressionism in Postwar America, an exhibition featuring painting by thirteen artists, working in the modes of Abstract Expressionism and Color Field Painting, whose careers developed in the dynamic and freeing milieu of American art after World War II. The exhibition gives recognition to the heightened interest today in this art for its strength and transcendence. 

Islip Art Museum is pleased to present REDACTED, a group exhibition curated by Janet Goleas, featuring selected paintings, drawings, sculpture, collage and assemblage by artists Josh Blackwell, Sharon Butler, Jonathan Callan, Eric Dever, Stacy Fisher, Brian Gaman, Jim Lee, Lauren Luloff, Stefana McClure, Linda Miller, Bonnie Rychlak, Mathias Schmeid, Tim Spelios, Ryan Steadman, Ryan Wallace, Ross Watts and Letha Wilson.

BERRY CAMPBELL is pleased to announce the representation of New York-based painter, SUSAN VECSEY.  Vecsey is widely held in both public and private collections and most recently, Guild Hall Museum, East Hampton, acquired White Main Beach for their permanent collection.  

We’re starting downtown in Chelsea at Berry Campbell, whose latest show, Raymond Hendler: Swinging Heart, is set to open this Thursday. The show will display the abstract expressionist works ofRaymond Hedler (American, 1923-1998) created between 1957 and 1964.The artist began his career in Paris as early as 1949, playing a key role in the Abstract Expressionist movement that took hold in both Paris and across the ocean in the avant-garde artistic circles of New York.

In the 1960s they called it “color-field painting” and after 1970, it was increasingly called “modernism,” by which time it attracted less attention.  But the artists kept at it. Now, to judge from four overlapping exhibitions of this later period, there may be fresh interest in what they did.  “Walter Darby Bannard: Dragon Water,” at Berry Campbell, is up through March 15.  Although Bannard was known in the early ‘60s for minimalist paintings, by the 1970s he had shifted to modernism, reveling in its succulent surfaces and offbeat colors.  This show is all from the 70s.  As is evident from “Pakistani,” he could convey a swinging, curtain-like motion with colors both radiant and restrained: mauve, purple, pale-to-vibrant orange and pale, almost citric lime-yellow. PIRI HALASZ

The Frank and Gertrude Kaiser Art Gallery at Molloy College is proud to partner with Berry Campbell Gallery in Chelsea to exhibit Edwin Ruda: The Band Paintings, including paintings and works on paper from 1969 to 1972. Through the efforts and generosity of Christine Berry and Martha Campbell, the Kaiser Art Gallery has been fortunate enough to travel the Ruda exhibition.

Walter Darby Bannard is a hedonist, and proud of it. He believes that the role of art is to give pleasure. It’s not meant to be an intellectual exercise, or political propaganda, or even an illustration of something that it’s not (though he has plenty of room in his lexicon for representational painters, past and present, whose work pleasures the eye, regardless of what else it may or may not do).