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This painting was exhibited in the Denver Art Museum's remarkably successful 2016 exhibition, Women of Abstract Expressionism.

Judith Godwin | Solo Exhibition
Berry Campbell
February 2019  

Walter Darby Bannard | 1959 - 1962
Institute of Contemporary Art, Miami
April 26 - January 6, 2018  

Walter Darby Bannard | 1959-1962 is a focused exhibition of a series of breakthrough paintings the artist produced over a period of several years, during which he abandoned gestural brushwork and developed a pared-down geometric vocabulary. The early works presented have rarely and only recently been exhibited.

Artist Reception and Lecture
Saturday, September 15, 2018 
6:00 pm  
RSVP  

A lecture by artist Mike Solomon, Ossorio Foundation founding Director:  The Creeks: Epicenter of the 1950 Hamptons Art Community

In Conversation: Jill Nathanson talks with A.V. Ryan about her solo exhibition,
Cadence

Directed by Andrew Gurian

DC artists paint the town red — and every color of the rainbow

The Washington Color School encompasses the DC artists in the 1950s and 1960s who focused on Color Field painting, a style of abstract painting that typically includes blocks of solid color. Many of these artists were associated with what is now known as George Washington University’s Corcoran School of the Arts & Design. The Luther W. Brady Art Gallery’s inaugural exhibition in the Corcoran’s Flagg Building celebrates the history of both the Washington Color School and the Corcoran.

Seattle Art Fair | Booth H11
August 2 - 5, 2018

The Seattle Art Fair is a one-of-a-kind destination for the best in modern and contemporary art and a showcase for the vibrant arts community of the Pacific Northwest. Based in Seattle, a city as renowned for its natural beauty as its cultural landscape, the fair brings together the region's strong collector base; local, national, and international galleries; area museums and institutions; and an array of innovative public programming. Founded in 2015 by Paul G. Allen, the Seattle Art Fair is produced by Vulcan Arts + Entertainment, and Art Market Productions.

 Click here to preview the exhibition online!

Open Studio for Adults: All About Color
Saturday, August 4, 2018 - 1:00pm to 3:00pm
Free with Museum Admission
Advance registration is required.

In these free monthly studio sessions, explore painting and mixed-media with guidance from painter Eric Dever. In this session, explore a personal palette within the color spectrum.

Please register online or call 631-283-2118 x130.

The Parrish Art Museum Midsummer Party is always a favorite in the Hamptons benefit circuit. This year, the Midsummer Pary drew nearly 500 people and raised nearly $1.3 million for the Hamptons art museum. Held on July 14, 2018 in Water Mill, the Midsummer Party honored Parrish trustee Chad Leat and artist Keith Sonnier, whose work is the subject of a solo show on view through January 29, 2019.

Inaugurated in 2010, the Long Island Biennial is a juried competition offering local artists an opportunity to show their work to a broad public in a professional Museum setting. Long Island has a rich artistic history and has long been an inspiration for artists. The Long Island Biennial receives hundreds of entries from gifted, professional, contemporary Long Island artists. The jurors will select outstanding works for inclusion in a Biennial exhibition at The Heckscher Museum, August 4 to November 11, 2018. All submissions will be shown in an online gallery on LongIslandBiennial.org

 “The Long Island Biennial is a perfect opportunity for artists to showcase their work to a wide audience, and for art lovers to discover the talent that is flourishing across Suffolk and Nassau Counties,” said Lisa Chalif, Curator, Heckscher Museum of Art.

We are thrilled to add this talented artist to our roster and look forward to presenting an exhibition of his work in 2019.

Over the course of a career that has spanned more than fifty years, Frank Wimberley has felt abstract painting to be a continuous adventure. Now 92, the artist is a well-known presence in the art scene on the East End of Long Island and an important figure in African American art since the 1960s. Acclaimed for his dynamic, multi-layered, and sophisticated paintings, Wimberley is among the leading contemporary artists to continue in the Abstract Expressionist tradition. What has always excited him is to take the theme or feeling from the very first stroke he lays down and follow it to its particular conclusion, "very much like creating the controlled accident." His improvisational method is akin to jazz, an important part of his life and a theme in his art. Despite the spontaneity of his process, Wimberley makes each decision deliberately, respectful of what emerges and where it is going; he enjoys the surprise of arriving at definitions that seem to come to life on their own. Similarly, his works engage the viewer in their strong physicality and unpredictability as well as in their insights into the ways that pictorial experiences are perceived and understood.