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Lynne Drexler Saw the World Through Kaleidoscope Eyes

The art establishment ignored Lynne Drexler in life and, for more than two decades, also in death. But suddenly, the brilliantly colored canvases she kept piled in her ramshackle Monhegan home are fetching millions. Who was the enigmatic painter, and why is her immense talent only beginning to get its due?

Will Grunewald for Down East, February 2023

Berry Campbell Gallery is listed by ARTnews as an exhibitor at the 15th annual Dallas Art Fair.

Intersect Palm Springs Returns with Art and Activism in the Desert

The art fair will be on view at the Palm Springs Convention Center February 9-12 with a slew of exhibitions, events, and a special focus on female talent.

The art and design fair Intersect Palm Springs returns for its second edition from February 9 through 12 this year, welcoming a dynamic mix of over 50 contemporary and modern galleries.

Elizabeth Osborne's Passage, 1971 is highlighted by The Baer Faxt in a recent Instagram post discussing Intersect Palm Springs 2023.

These last years have been crucial for readdressing the gender imbalance in art history, unveiling powerful and inspiring stories of female artists. Today’s edition of Artland’s Lost (and Found) Artist series, which unveils the stories of artists who were once omitted from the mainstream art canon or who were largely unseen for most of their careers, explores the renaissance of Abstract Expressionist painter Lynne Mapp Drexler (1928-1999). Probably overshadowed by her husband (also a painter) and her male contemporaries, she experienced the vibrant and tumultuous New York art scene of the mid-20^th century but overwhelmed by it, and struggling with her career, left for the peaceful Monhegan Island, off the coast of Maine. As is often the case, after her death in 1999 and especially in recent years, Drexler is eventually gaining the attention she would have merited, and (as some had anticipated) her paintings are now being sold for millions.

The history of Black artists on Long Island is rich, deep and still being written. Sometimes, with help, history repeats itself. This month offers chances to revisit pivotal exhibitions of previous decades and witness the cultural significance of Black artists in the area.

WHAT "Return to A Place by the Sea"

WHEN | WHERE Through May 27, 12-5 p.m. Wednesday-Sunday, The Church, 48 Madison St., Sag Harbor

INFO Free; 631-919-5342, thechurchsagharbor.org

Art advisors Irene Papanestor and Steven Sergiovanni, Palm Springs Life magazine editor-in-chief Steven Biller, and BoxoPROJECTS Founder and Director Bernard Leibov make highlight selections from the upcoming Intersect Palm Springs 2023 art fair.

A newly resurfaced archive of Mary Dill Henry’s photographs, sketches, and correspondence at the Illinois Institute of Technology reveals an artist always in motion.

Following its debut at Los Angeles County Museum of Art (LACMA) in 2021, the group exhibition Black American Portraits travels to Atlanta’s Spelman College Museum of Fine Art.

A Return to a Place By the Sea

February 5 - May 27, 2023

Opening Reception February 4 | 6-7:30PM

Return to A Place By the Sea revisits and recontextualizes the 1999 exhibition A Place By the Sea that celebrated the work and friendship of four African American artists: Nanette Carter (b. 1954), Gregory Coates (b. 1961), Al Loving (1935-2005), and Frank Wimberley (b.1926). Initially organized in 1999 by Jim Richard Wilson at the Rathbone Gallery of the Russell Sage College in Albany, the show traveled to Christine Nienaber Contemporary Art in New York and the Arlene Bujese Gallery in East Hampton. This February, thanks to the combined curation of The Church's Co-Founder April Gornik and Chief Curator Sara Cochran, we will explore the type of art these artists were making in the 1990s and update this conversation by exploring their more recent work. Our goal is to deepen the understanding of these influential artists, who have only begun to receive international acclaim for their work. The show also delineates a more inclusive history of abstract painting in New York in the late 20th century and looks beyond the historical standard of race and gender. Uniting some works from the original show with recent paintings, works on paper, and sculpture, Return to A Place By the Sea highlights the relevancy of each artist of "The Eastville Four." Given that for a time, all four artists lived part of the year in the Eastville/ SANS neighborhood to the east of Sag Harbor, this exhibition further honors the tradition of Sag Harbor as a maker's place of diverse art, industry, and craft practices.

Carter, Coates, Loving, and Wimberley shared a deep kinship. They were committed to abstract painting and shared an appreciation of jazz music with its vitality and basis in spontaneity and experimentation. Their lives and work were intertwined by their associations with The Studio Museum in Harlem, the Cinque Gallery in New York where they showed their work, and the Eastville Community where they have summer homes and found space to work and relax. The exhibition will feature programming that spotlights each artist and new video interviews with Carter, Coates, and Wimberley.

Join us for the opening on Saturday, February 4th, from 6-7:30 PM.