August 11, 2022 - Berry Campbell
Berry Campbell: Community
August 11 - 14, 2022
Berry Campbell at Ashawagh hall
780 Springs Fireplace Road
East Hampton, New York 11937
Preview Exhibiton
August 11, 2022 - Mark Segal for East Hampton Star
Chelsea to Springs
Chelsea’s Berry Campbell Gallery takes over Ashawagh Hall in Springs from today through Sunday with a large group exhibition of artists, past and present, with strong East End connections.
The show includes works by Mary Abbott, Alice Baber, Nanette Carter, Dan Christensen, Eric Dever, Elaine de Kooning, Perle Fine, Grace Hartigan, Raymond Hendler, John Opper, Charlotte Park, Betty Parsons, Mike Solomon, Syd Solomon, Hedda Sterne, Susan Vecsey, Lucia Wilcox, Frank Wimberley, and Larry Zox.
Gallery hours are today through Saturday, 11 a.m. to 7 p.m., and noon to 6 on Sunday.
April 26, 2022 - The Arts Center at Duck Creek
April 14, 2022 - Guild Hall Museum
December 30, 2021 - Mark Segal
Encountering the Parrish
“Encounters: Recent Acquisitions to the Permanent Collection,” an exhibition of work by nine contemporary artists with deep connections to the East End, is on view at the Parrish Art Museum in Water Mill through Feb. 27.
New works by Barthelemy Toguo and Tomashi Jackson were created for their solo shows at the Parrish. Mr. Toguo’s “Homo Planta A” reflects his interest in nature and sustainability, while Ms. Jackson’s “The Three Sisters” was inspired by interviews with members of local indigenous, Black, and Latinx communities.
Darlene Charneco, Esly E. Escobar, Laurie Lambrecht, and Candace Hill Montgomery developed their works for Parrish Road Show exhibitions. Ms. Charneco’s work considered the symbiotic co-evolution of insects and plants, while Mr. Escobar dripped paint on a canvas until a character was revealed.
Ms. Lambrecht’s piece is one of a series of print and fiber works inspired by the Madoo Conservancy in Sagaponack. Ms. Montgomery’s weaving, first shown at the Sag Harbor Whaling Museum, examines the #MeToo movement.
Rachel Feinstein’s interest in the Rococo inspired her plaster sculpture “See You Soon,” while Sara VanDerBeek’s abstract photographs were motivated in part by members of the Bauhaus weaving workshop, quilts, and Pre-Colombian textiles and ceramics.
Frank Wimberley’s “Wrinkles” (1994) is one of his tactile, multilayered abstract paintings, which he has described as “absolutely personal and universal.”
November 19, 2021 - Parrish Art Museum, Water Mill, New York
August 3, 2021 - The Georgia Museum of Art
Frank Wimberley
Tourquoise, 2012
Acrylic on canvas
62 x 48 inches
View works by Frank Wimberley
May 6, 2021 - Sarah Cascone for Artnet News
The show explores the gallery's ties to the Art Students League of New York.
In 1969, tired of the lack of exhibition opportunities for Black artists, Romare Bearden, Ernest Crichlow, and Norman Lewis took matters into their own hands and opened Cinque Gallery, a nonprofit exhibition space on Astor Place in New York’s East Village.
Cinque—named for Joseph Cinque, who led the 1839 revolt on the Amistad slave ship after being kidnapped in Sierra Leone—quickly became a thriving community of young and mid-career artists.
Over its 35-year existence at various spaces across the city, the organization showcased the work of some 450 artists of color, including Emma Amos, Dawoud Bey, Sam Gilliam, and Whitfield Lovell—all of whom are featured in the first-ever exhibition celebrating the legacy of Cinque Gallery at the Art Students League of New York.
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